

NMCD245
Originally recorded in 2019
Classical
Chamber
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About
Casken’s work is often inspired by literature and legend, landscape and painting and particularly by the Northumberland countryside where he lives. His compositions have won a Gramophone award, the First Britten Award for Composition, the Prince Pierre de Monaco Prize, a British Composer Award for Vocal Music, as well as shortlistings for both RPS and British Composer Awards. The Dream of the Rood sets texts chosen by the composer from the Anglo-Saxon poem of the same name which dramatically describes the story of the crucifixion in a highly original portrayal of Christ’s death coupled with Casken’s own arrangement of Perotin’s Viderunt omnes, the earliest surviving vocal work of plainsong in four parts. In both arrangements, Casken introduces a large instrumental ensemble and masterfully enhances the medieval texts and music of the originals within a highly effective contemporary context. Alongside these are three pieces from the rare Conductus repertoire of the 12th/13th centuries which have been core to The Hilliard Ensemble's performing library. This release marks the significant contribution to British music of one of its most notable vocal ensembles and one of its richest of composing voices, in work that is equally moving and dramatic.
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Reviews
“About five years after their self-chosen end as an ensemble, the last recordings of the legendary Hilliard Ensemble are now being presented. The current one, entitled The Dream of the Rood, refers to the half-hour composition by John Casken, which he created eleven years ago… After about 40 years of close collaboration with the Hilliard Ensemble John Casken’s The Dream of the Rood was his last composition for the ensemble. It uses the poem of the same title, presumably from the eighth century. The recording took place shortly before the ensemble left the stage and thus has at least a historical character. The formation was valued for its ground-breaking interpretations of the very early repertoire up to the 16th century, as well as those of modernism. In this recording one can already notice slight signs of fatigue, and the singers can no longer completely maintain their usual quality of performance. The Asko / Schönberg Ensemble performs with the necessary sensitivity and quality.” ****
“… The Hilliards, who have recorded Casken before, sing with limpid clarity and moments of earthy force. There is an additional setting by Pérotin (Viderunt omnes, arranged by Casken) and three early strophic settings in three and four voice parts. Mysterious but tightly controlled; the perfect prelude to Casken’s vocal masterpiece.” ****
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